Reflections investigates the self through the lens of duality.

While other series in Figurative Structures examine formal and structural equilibrium, Reflections employs the body as vehicle for psychological inquiry. Where Continuum demonstrates how discrete parts unify into indivisible form, Reflections reveals the psychological parallel: selfhood as integration of complementary opposites. By pairing opposing halves in precise mirrored alignment, the work makes visible the dual nature of selfhood—the hidden complementary aspects that constitute wholeness.

The physical symmetry functions as visual metaphor: what appears as simple bilateral reflection reveals the fundamental architecture of selfhood. Wholeness emerges not from singular unified identity but from the integration of complementary internal aspects—dominant and recessive, revealed and concealed.

Reflections demonstrates that selfhood, like the body, achieves completeness through the harmony of complementary opposites.