Reflections investigates the self through the lens of duality.

While other series in Figurative Structures examine formal and structural equilibrium, Reflections employs the body as vehicle for psychological inquiry. Where Continuum demonstrates how discrete parts unify into indivisible form, Reflections reveals the psychological parallel: the self as integration of complementary opposites. By pairing opposing halves in precise mirrored registration, the work makes visible the dual nature of identity—the hidden complementary aspects that constitute the whole self.

The physical symmetry functions as visual metaphor: what appears as simple bilateral reflection reveals the fundamental architecture of selfhood. Wholeness emerges not from singular unified identity but from the integration of opposing internal aspects—dominant and recessive, revealed and concealed, conscious and shadow.

Reflections demonstrates that the self, like the body, achieves completeness through the balance of complementary opposites.