Where Asymptote tests form against external absolutes, Limits confronts internal constraint: anatomical boundary as threshold rather than barrier.

Working with elite contortionists, the series documents configurations at the extreme edge of physical possibility. The investigation demonstrates that anatomical limits are not fixed—they are conditional. When will operates as structural force, apparent thresholds expand. The body achieves configurations that seem to exceed its own design.

Unlike the monochromatic studies where uniform backgrounds establish visual silence, Limits introduces color and pattern. This activation of the surrounding field corresponds to the activation of will—subtle vibrancy and flow made visible around the posed form. The patterned background functions as harmonic counterweight, stabilizing extreme structural tension within balanced visual field.

The limit emerges not as barrier but as proof of capacity—demonstrating the body’s adaptive potential when volition is recognized as constitutive force.